While the photogenic quality of Instagrammable food has become more compelling than a restaurant’s Zagat rating, a city or neighborhood’s endorsement of street art is a surefire way to bring attention and foot traffic to the local landscape. Coast to coast, colorful building murals and other eye-catching street art are racking up “likes” on social media and increasing profits for property owners and businesses in real life.
The subject of a new mural in Manhattan’s East Village is wholly emblematic of Brazilian artist Eduardo Kobra’s bold, contrasting hues and deliberate geometric patterns. In early 2018, Kobra asked Elizabeth Murphy, owner of Eleven Consignment Boutique, to get permission from her landlord to paint a mural of pop icon Michael Jackson on the building approaching what would have been his 60th birthday.
Murphy is a fan of both Jackson and Kobra’s work, so the collaboration was a no-brainer.
“I love public works, public art,” Murphy tells Blueprint. “It brings beauty and attention to under-appreciated areas.”
Completed in late July, the mural features two halves of one face: on the left, a young Michael, the star of the Jackson 5, and on the right, the King of Pop we knew before his untimely death. A column of solid-colored diamonds separates the young boy from his older half, skin dotted with a colorful checkerboard pattern, his hair on both sides a signature raven-black.
Shortly after it went up, business was booming. Eleven saw its busiest August in seven years.
I love public works, public art. It brings beauty and attention to under-appreciated areas.
“It’s always fun to collaborate; two heads are better than one,” says Murphy. “The more people you can reach with a provocative image is great, good or bad. I’d do it again and again with multiple buildings as long as it’s with a reputable artist and a peaceful message.”
Eight hundred miles west, in a neighborhood called Bucktown in north-central Chicago, another inconspicuous brick building was branded with a mural that made it a Chicago icon. This time, it’s a simple red heart painted on a pink garage door, #GBheart inscribed in the same red on the bottom right corner. The owner of GB, or Green Bean Day School & Nursery, had the idea to add a touch of color to the building’s back wall, and one of the school’s teachers got to work.
“She wanted something bright and eye-catching and positive,” says Melissa Jacobson, director of Green Bean Day School. “It draws a lot of attention to the school. Lots of couples take photos there. Friends, too.”
The Green Bean Heart has been featured on several “Top 10 Murals to Visit in Chicago” lists, with many bloggers highlighting the universality of its simple message. When they stop by for a photo, they stay for coffee at the local café or shop at nearby boutiques.
Down in Nashville, one of the most iconic of Instagram murals is an unspoken request for subject-art interaction. A pair of 20-foot-high wings stand, ready for takeoff, in the city’s The Gulch neighborhood. The painting by European artist Kelsey Montague is part of a project series called #WhatLiftsYou, intended as a platform for people to share what inspires them. Montague has painted her signature wings throughout the world, from Minnesota and California to New Zealand and Australia. At press time, the hashtag had been used on Instagram more than 134,000 times.
Around the corner from the mural is Bar Louie, a bar and grill with options for cocktails and microbrews. Bar Louie’s manager, Kevin Shaw, credits the mural for consistently improving the restaurant’s business.
“We’re definitely getting the foot traffic that comes from such a popular spot,” says Shaw. “Since it went up, we’ve noticed business has been consistently better, and our neighbors, like Milk & Honey, are also benefitting.”
Traveling farther south, a trip to Miami often includes a visit to Wynwood. The neighborhood is one of the city’s most popular stops for its outdoor museum: Wynwood Walls, a garden of massive, colorful street murals painted by artists from around the globe.
Four miles north, a 10-story hotel, the SLS Brickell, became a 40,000-square foot work of art, thanks to artist Markus Linnenbrink. Linnenbrink employed his “paint drip” technique, a method that requires no brushes – just paint, water, and gravity – to cover the surface area of the building.
The giant watercolor was commissioned by Jorge Perez of the Perez Art Museum as part of his commitment to providing museum-quality art to Miami residents without the need to visit an exhibit.
“It’s a piece for everybody walking by,” Linnenbrink told CBS Miami. “Somebody commissioned it and owns it but it belongs to everybody here in Brickell and everyone that passes by.”
We’re definitely getting the foot traffic that comes from such a popular spot. Since it went up, we’ve noticed business has been consistently better.
Not far from Brickell and home to Miami-born rapper Pitbull is Calle Ocho, the Latin American mecca of south Florida. In 2011, Calle Ocho’s Goodwill Superstore became the canvas for the Good Wall Project, conceived in 2011 to follow the mission of Goodwill: “To enhance the dignity and quality of life of individuals and families.”
The wall, which wraps around the building, is printed with blank outlined spaces where volunteer artists – both famous and unknown – have left their mark. The result is not only a grid of diverse motifs and styles, but a source of increased revenue for the store itself, says Goodwill assistant manager Josselyn Diaz.
“I opened this store in 2011 but left to work at another store. When I came back, I was so surprised at how much popularity this store has compared to other Goodwills,” Diaz says. “People come to take photos but they stay to shop.”
05 November 2018 by Tom Krantz